are you working against your own tendencies?


PROFITABLE MUSICIAN:

FEM FRIDAY EDITION

August 7, 2026

Happy FEM Music Friday!

Over the past 11 years, musicians have come to me for help getting more done in less time.

Usually, they are not looking for a way to cram even more work into an already full week. They want to spend more time writing, rehearsing, recording, or connecting with fans without email, bookkeeping, social media, and a dozen other admin tasks taking over every available hour.

I have taught plenty of planning systems, productivity tools, and time management strategies. But even the best system will fall apart if it fights against the way you naturally respond to expectations.

That is why I find Gretchen Rubin’s Four Tendencies framework so helpful...

In this issue

🥽Are You Working Against Your Own Tendencies?


📻Add These Songs To Your Playlist

The framework looks at two kinds of expectations:

Outer expectations come from other people. A venue needs your promotional materials by Friday. Your producer is waiting for your vocal tracks. Your fans are expecting the livestream you announced.

Inner expectations are the promises you make to yourself. You plan to practice three times this week, finish your artist bio, send a fan email, or spend Saturday applying for grants.

According to Rubin, the way we respond to those two types of expectations places us into one of four tendencies:

Upholder
Questioner
Obliger
Rebel

Over the next four weeks, I am going to look more closely at each one and explore how the right kind of accountability can help you work with your natural tendencies instead of fighting them.

We are starting with the Upholder because that is the first one, AND it is my own tendency, so I understand it pretty intimately.

An Upholder generally meets both outer and inner expectations. Upholders usually follow through whether the promise was made to another person or only written on your own calendar or to-do list.

That may sound like the ideal situation, but Upholders have their own set of problems.

We can become so committed to doing what we said we would do that we forget to ask whether it is still worth doing. We continue down the same path dutifully, blind to the big picture or the data.

The weekly task stays on the list because it has always been on the list. We continue posting on a platform that is no longer reaching the right people. We keep attending an event, maintaining a system, or creating a piece of content because stopping would feel like breaking a promise.

This is one reason accountability is still valuable for Upholders.

1. A group can help an upholder decide whether a task belongs on your list at all

For an Upholder, the most useful accountability may not be someone asking, “Did you do it?”

It may be someone asking, “Should you still be doing it?”

A supportive group can help you step outside your own head and examine the commitments you have collected. Other musicians may notice that you are spending hours creating content for a platform that brings you no listeners, while the fan emails that receive heartfelt replies keep getting postponed.

This is the most underutilized part of having an accountability group for the upholder.

And then there are the common reasons that accountability is helpful, even for an upholder. While making a promise to yourself is powerful for upholders, what's even more powerful is doing it in public.

2. Publicly stating the goal makes the promise feel concrete

Upholders are already motivated by commitments, but writing the goal down where other people can see it adds another layer of clarity.

Instead of vaguely planning to work on your release, you might declare that you will choose the final song order and send the tracks to your mastering engineer by Thursday.

Now you know exactly what you promised yourself, and you have a specific point when you can report back.

Inside the Female Musician Accelerator, members can post their weekly goals and return on Friday to share what they completed. That simple rhythm helps an Upholder honor the promise she made at the beginning of the week.

3. Sharing wins gives you evidence that your effort is adding up

Upholders can be so focused on the next item that we barely acknowledge what we finished.

We check something off and immediately move to the next task.

Posting your wins each week forces you to pause long enough to recognize that you sent the email, booked the show, finished the application, or finally chose the photos for your website.

The win does not have to be huge. Seeing those smaller commitments completed reminds you that you are keeping your word to yourself and putting real pieces of your music career in place.

This is also built into FMA because I know how easy it is to forget what we accomplished while staring at everything that still needs attention.

Sometimes accountability helps us follow through. Other times, it gives us permission to stop doing something that is no longer a good use of our limited time.

The weekly goal setting and wins areas I mentioned are already part of the Female Musician Accelerator and women use them every week. I love reading them and celebrating with them - we even highlight wins in our weekly Sunday Spotlight newsletter!

But...here's what's coming next - an additional layer of accountability that that I'm super excited about.

Starting in September, annual members will also have access to accountability groups where they can clarify what deserves their attention, state what they plan to complete, and get support from other women who understand how much they are balancing.

These groups will be hand-picked by me because I know each of our members personally. In my experience, this matchmaking process creates incredibly valuable groups who stick together and support each other long term.

If that sounds like the kind of support you've been craving (whether you're an upholder or one of the other 3 tendencies), you can learn more about Female Musician Accelerator and the perks of the annual membership here:

We've been helping all levels of female musicians get more done in less time and stay accountable to their music goals since 2015!

Next week, we will talk about the Questioner and why “because an expert said so” is rarely enough to get her to take action.

Always in your corner,
<3 Bree

PS: If you prefer to read FEM Friday on Substack, you can Subscribe Here

You're reading the Profitable Musician Newsletter, FEM Friday Edition. This Friday newsletter is created for Female Artists & Advocates, and focuses on our mission to amplify quality music by Female Artists & Female-Fronted Bands in all genres and help them build a thriving music career and solid business. If you'd like to unsubscribe from FEM Fridays but still receive our regular Wednesday Profitable Musician Newsletter, click here and we'll note your preference.

WOMEN OF SUBSTANCE FEATURED TRACKS

Haisley - My Old Bible


Haisley is a Christian Americana singer-songwriter whose music blends authenticity, hope, and faith through the lens of real human experience. After 25 years in the wellness world inspiring others to grow and heal, she followed her calling to write and perform songs that explore redemption, vulnerability, and self-discovery. With her soulful sound and grounded presence, Haisley creates music that reminds listeners that it’s never too late to find your way back to faith, love, and yourself.

artist
My Old Bible
Haisley
PREVIEW
Spotify Logo
 

Mike Franano & Stacey Ballentine - Dress Me


Mike Franano is a songwriter and guitarist whose music blends blues, blues rock, and classic rock. Based in Overland Park, Kansas, he has built an extensive catalog of original music, recently releasing his ninth studio album, Vol. 9. His previous releases include Songs for a Girl, Rough Diamond, I Want to Know, A Year in the Life, Clouds and Mist, Dreams of '72, On the Brink, and Fire. In addition to his solo work, Mike is collaborating with singer-songwriter Stacey Ballentine on new music. Their upcoming album is expected to be released in late 2026 or early 2027.

artist
Dress Me
Stacey Ballentine, Mike Fran...
PREVIEW
Spotify Logo
 

Ten Toed Sloth - Learn To Crawl


TRIN BETRELL comes from a musical family and started writing songs eight years ago. Her true talent is randomly meeting immensely talented musicians while in hardware stores or walking down the street. TEN TOED SLOTH was born out of the mysterious and wonderful way musicians collaborate with each other. Sloth songs range from alternate rock/pop to Americana. Trin is especially thrilled when fellow musicians sing her songs. When not writing, Trin (aka Beth Terrill) is manager for Jeff Haynes (Komunyaka Productions, LLC) Grammy award winning, world-renowned percussionist/producer, who recently performed with Cassandra Wilson and toured with Brandi Carlile for several years during her “Beyond These Silent Days” tour among many others. Trin is grateful to have met Pete Seeger and was fortunate to have been executive producer and manager of the Pete Seeger: Storm King project, a Grammy® nominated audio project featuring spoken word and multi-genre music, while working with Jeff Haynes.

artist
Learn to Crawl (Rock Version...
Ten Toed Sloth
PREVIEW
Spotify Logo
 

Bree Noble

Say "Hello' on Instagram, Facebook, TikTok, or Threads

When You're Ready, here are 3 ways we can help you become a more Profitable Musician:

If you choose to Unsubscribe, it will remove you from updates on programs you've purchased. We won't be able to let you know when we're playing your music on the podcast, and we can't let you know about any calls for specific music, free training, awesome articles, new podcast episodes and tools for musicians, etc.
600 1st Ave, Ste 330 PMB 92768, Seattle, WA 98104-2246

The Profitable Musician Newsletter

Whether you're a career artist, a passionate side hustler, or a hobby musician looking to fund your next project, The Profitable Musician Newsletter will help you become more profitable in just 3 minutes. Join 16,600+ musicians 3 times per week as we grow our fanbase, amplify our income & become more profitable together.

Read more from The Profitable Musician Newsletter

PROFITABLE MUSICIAN WEEKLY NEWSLETTER August 5, 2026 You know that feeling when you're welling up inside with pride? I've experienced that a few times recently: When my youngest daughter sang with her choir at Carnegie Hall, singing a complex piece being debuted on that stage - as one of a handful of high school students within a group of mostly college students. When my oldest daughter presented her 100+ page College senior honors project: Translating Terror into Tales of Transformation -...

PROFITABLE MUSICIAN: FEM FRIDAY EDITION July 31, 2026 Happy FEM Music Friday! I recently pulled out my old high school choir scrapbook because my daughter and her friend are choir captains this year, and I thought they might get a kick out of it. They definitely enjoyed the cringy 80s hairstyles and the “what were we thinking?” choir dresses. But what surprised me was how fascinated they were by the scrapbook itself. I had painstakingly cut up the programs from every choir event, pasted them...

PROFITABLE MUSICIAN WEEKLY NEWSLETTER July 29, 2026 We accidentally created something pretty special... As you so vividly remember, back in 2020, our community of musicians had a problem none of us had planned for. Shows disappeared. Tours stopped. Venues closed. The usual rhythm of rehearsing, performing, traveling, and meeting listeners in person came to a screeching halt. But the songs didn’t stop coming. In fact, many of the women in my community were writing more than ever. So we created...